I don't disagree; personally I think you could go with life plus 35 and cap the whole thing at 80 years from publication.
But I do think some potential post-mortem protection is essential for creative work to remain viable, and that means that any post-mortem buyer of an artist's estate has to be able to get value from recent work for a period of time.
This whole discussion is somewhat fantastical now anyway, because copyright is fucked.
But the intent was always to make working artists' lives possible; the various copyright extensions have always been for the benefit of corporate copyright holders, and it is unfair to vilify individual working artists for that.
But I do think some potential post-mortem protection is essential for creative work to remain viable, and that means that any post-mortem buyer of an artist's estate has to be able to get value from recent work for a period of time.
This whole discussion is somewhat fantastical now anyway, because copyright is fucked.
But the intent was always to make working artists' lives possible; the various copyright extensions have always been for the benefit of corporate copyright holders, and it is unfair to vilify individual working artists for that.